The first of two inner movements is a kind of pastoral turned dark and troubled.

The two inner movements work as effective structural contrasts to the opening drama.

The two inner movements are strikingly similar in form, rhythm and melodic shape.

But the work's inner movements, like much of the Mozart, were largely lost on distant listeners.

The two inner movements of the Haydn symphony were taken quickly.

The three inner movements fit the old stereotype more closely, but only on first hearing.

This is indeed a rewarding piece, as new listeners will come to realize in some particularly lilting inner movements.

It was alive with a kind of inner movement.

The order of the inner movements is a matter of fierce debate; see below for further details.

Recorded and performed examples on the inner movements' order by several prominent conductors.