The works couldn't look more different, but they share a subtle metaphorical cast.

Some very important works looked like they were fastened to pegboard.

Too often the other works merely look like good starts.

The program's two familiar works, although devoid of their production values, look complete.

The works now look as he imagines they did at the time of their creation.

They thought the works looked important but were not certain.

Both works look a little old hat in an American context.

All these early works looked ugly, nasty, down and dirty.

Before Sept. 11, these works would have looked quite benign.

After the big numbers paid for contemporary art recently, older works suddenly looked like bargains.