supplely

The barbarian was thinking only of the woman moving so supplely beside him.

The brown women joined hands in a ring and moved supplely about the altar, dancing a strange dark measure.

Joe's own leg muscles twitched in sympathy and he felt them grow supplely strong.

Her hands were held out to the sides, circling supplely, fingers gesturing elegantly.

Almost, she could imagine what it would be like to swim so supplely through gentle space, whole and well and welcome.

But her gifts were more supplely controlled than ever, and a mere thought conjured a dragon made of Fire.

Their backs and shoulders supplely absorbed the vibrations of the buckboard.

The long arcs of musical drama were surely gauged and supplely executed.

She came out of it supplely, effortlessly.

Conan wheeled supplely, sweeping the shadows with a fiercely questing stare.

Bion Tsang, an excellent young cellist, performed it supplely, with vivid color.

The pianist Cameron Stowe played supplely and sensitively throughout.

The conductor Christopher Larkin, also in his debut, led a supplely paced but not especially striking performance.

Alecto was on her feet with the dagger in her hand, as quickly and supplely as a cat waking.

She sang with her customary warm dusky tone, gently beautiful pianissimos and supplely shaped phrasing.

It was clear that softer settings were needed to allow the car to ride more supplely and predictably over the kerbs and undulations.

Chopin's Barcarolle received a more straightforwardly beautiful performance: gently lapping, supplely lyrical and poignant.

Sir Simon, a champion of Mr. Maw, conducts the music supplely yet incisively.

Certain phrases were supplely shaped and richly sung, but his full-voiced high-range singing was bellowed and inelegant.

Vocally, once in a while there was a flash of that incomparable Pavarotti sound, a supplely shaped legato phrase, a honeyed pianissimo.

She sang it beautifully, ably supported by the conductor Andrew Davis, who elicited a luminous and supplely paced performance from the Met orchestra.

Replacing him was Carlo Rizzi, a reliable Italian conductor who understands the Verdian style and led a supplely paced performance.

Mr. Luisi also allowed ample breathing room for soaring melodic lines and supplely rendered the Verdi trademark oom-pah-pah accompaniments.