New production lines such as opalescent glass proved to be extremely successful.

Opalescent glass is the basis for the range of glasses created by Tiffany.

The bottles were made in French opalescent glass with the hobnail pattern.

Opalescent glass is used to create a glow of light around the figure of Jesus.

Windows are of handmade opalescent glass tinted pale yellow.

When they were done, it was as if they stood beneath a dome of pinkish, faintly opalescent glass.

From the first pocket she withdrew a round bell of opaque opalescent glass which fitted well into the cup of her hand.

Willet believed that opalescent glass ignored the principles of architecture and did not fulfill the purpose of a window.

It was purchased by the Youghiogheny Opalescent Glass Company in the spring of 1995.

It seemed, as nearly as Tia could tell from the transmission, to be made of multiple layers of opalescent glass or ceramic.

Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass.

These companies produced pieces which consisted of lines of pressed glass known as intaglio and painted opalescent glass.

The church features a three-story entrance tower and opalescent glass windows produced by Louis Comfort Tiffany.

During the 1880s, the company was producing sophisticated novelty items such as salt shakers with zipper patterns and translucent striped opalescent glass.

These Prairie Style windows have a clear glass background with the designs picked out in opalescent glass and double-sided gold mirror.

Gabriel - the archangel Gabriel in the clouds, with feathers individually made of opalescent glass by Tiffany.

From fluorspar the company produces fluorites, which are a key component in the manufacture of some industrial commodities, including steel, hydrofluoric acid and opalescent glass.

Ceramic grade fluorite (85-95% CaF) is used in the manufacture of opalescent glass, enamels and cooking utensils.

One of Tiffany's distinctive creations was opalescent glass he called favrile, named for the Old English word for handmade.

The core of the building is a small rotunda, housing an opalescent glass window depicting the Greek muse of astronomy, Urania.

Another four windows were exceptional commissions by John La Farge, and revolutionized window glass with their layering of opalescent glass.

The clerestory windows feature opalescent glass in a simple tracery pattern, with similar colored glass at the tops of the windows at the main level.

They often used opalescent glass in their work, a style that John LaFarge and Louis Tiffany had pioneered in the 1870s.

This work displays several features typical of the Tiffany style: opalescent glass, streaky (Kokomo) glass, drapery glass, and plating.

With a facade of clear and opalescent glass, it is a teasing, seductive building, and it should radically enlarge the creative scope of American skyscraper design.