The Mexican muralist movement is characterized by its political undertones, the majority of which are of a Marxist nature, and the social and political situation of post-revolutionary Mexico.

It also coincides with the development of the Mexican muralist movement.

Enhanced by expert commentary, tours may cover pre-Hispanic architecture, the muralist movement, or life in low-income neighborhoods, depending on participants' interests.

Pani's and Mérida's work received mixed reviews, which often reflected the rivalry "Contemporáneo" school of art, and the more politicized Mexican traditional muralist movement.

The muralist movement was inspired by the Mexican muralists, but Section murals did not portray the harsh social or economic realities of the time.

José Luis Cuevas opted for a modernist style in contrast to the muralist movement associated with social politics.

The Mexican muralist movement influenced him only in a residual way.

Siqueiros, Rivera and José Orozco worked together under Vasconcelos, who supported the muralist movement by commissioning murals for prominent buildings in Mexico City.

In a striking way these secular and liberal principles were painted on the walls of the school buildings themselves, thus giving birth to Mexico's rightfully heralded muralist movement.

These photographers' political and social aspirations matched those of the muralist movement and the new post-Revolution government.