In a 105-minute intermissionless play, talk fills time but does not illuminate character.

Then, late in this 95-minute, intermissionless play, it becomes a soap opera.

The show begins to tidy itself up a little too efficiently in the last 10 of its 90 intermissionless minutes.

This version is pared down to an intermissionless 17 sketches.

With lesser performers, this 100-minute, intermissionless play would be pretty monotonous.

And lots of time to kill: the production runs an intermissionless 1 hour and 45 minutes.

And even 90 intermissionless minutes can feel like an exasperatingly long time for nothing but foreplay.

The show lasts for only 90 intermissionless minutes.

These and other insubstantial questions come to mind as the intermissionless play crawls to a conclusion.

Punctuated by an occasional curt introduction, the 90-minute, intermissionless program is all music and no talk.

Having one kind of music alternating with the other at this intermissionless event gave the listener a chance to rest up between styles.

Toward the end of the intermissionless performance he wished out loud that he had scheduled himself a break.

Though the evening, which runs about 90 minutes, is intermissionless, it does adhere to Stein's given structure of five acts.

The monologue-demonstration about sexual moans, near the end of the intermissionless evening, is a winner.

John Pietrowski, the director, manages the complex traffic in the intermissionless show nicely.

So the intermissionless two and a half hours, which are meant to sweep forward inexorably, got off to a bumpy start.

And all of this in an intermissionless - indeed, breathless - hour and three-quarters.

The intermissionless work merges the touchy-feely 70's and Greek drama.

Ticket sales for these six performances are reportedly not good, and there were some early departures during the 100-minute intermissionless performance.

The intermissionless show is broken up into 12 numbers, each with a distinct musical flavor or object to bang on.

But for the last quarter of the production's intermissionless two hours, this ungainliness has been erased by the emotional heat on the stage.

But a more general aesthetic argument can also be made for the superiority of the one-act, intermissionless format.

The title character of this intermissionless, three-scene comedy never appears onstage, though he, too, is much discussed.

Running only 90 intermissionless minutes, it takes brazen short-cuts to its big emotional climaxes.

He is onstage for 90 intermissionless minutes doing one character, a rare feat for a man of many faces.