The figures portrayed were those of slender, olive-skinned men and women, with finely chiseled, exotic features.
The figures portray Uniondale's continued emergence as a black and Hispanic middle-class area.
The carving on the upper face of the altar represents a standing human figure portrayed in profile, facing left.
Reliable statistics are scarce but the available figures portray a sharp contraction.
The historical figures portrayed did not usually correspond to those seen on similar denominations today.
Most figures portray historical characters in the struggle from slavery to civil rights.
Freestanding figures again portray similar themes: humans, animals, and phalluses.
The figures portray historical characters, contemporary society and rural villagers recalled from the artist's childhood in Japan.
For example, the figure illustrating the law of similarity portrays 36 circles all equal distance apart from one another forming a square.
But while the latest figures did not portray any significant worsening of the labor market, they did provided little grounds for optimism.
