He next spent six years in the 1950s singing opera and operetta with Sadler's Wells Opera.
Next, he sang for six years with Sadler's Wells Opera.
He was also the joint musical director of the Sadler's Wells Opera from 1966 to 1969.
It was founded at Sadler's Wells Opera in 1966.
He was a governor of Sadler's Wells Opera, and translated many libretti for it.
He later served on the conducting staff at Sadler's Wells Opera.
At the same time, the board of Sadler's Wells Opera made an approach to merge the two opera companies.
The continued existence of Sadler's Wells Opera was threatened by divisions within the company.
He joined the chorus of Sadler's Wells Opera the same year and continued his studies with Leonard Mosley.
Margaret Harris became Head of Design at Sadler's Wells Opera in 1962.
He next spent six years in the 1950s singing opera and operetta with Sadler's Wells Opera.
Next, he sang for six years with Sadler's Wells Opera.
He was also the joint musical director of the Sadler's Wells Opera from 1966 to 1969.
It was founded at Sadler's Wells Opera in 1966.
He was a governor of Sadler's Wells Opera, and translated many libretti for it.
He later served on the conducting staff at Sadler's Wells Opera.
At the same time, the board of Sadler's Wells Opera made an approach to merge the two opera companies.
The continued existence of Sadler's Wells Opera was threatened by divisions within the company.
He joined the chorus of Sadler's Wells Opera the same year and continued his studies with Leonard Mosley.
Margaret Harris became Head of Design at Sadler's Wells Opera in 1962.
He next spent six years in the 1950s singing opera and operetta with Sadler's Wells Opera.
Next, he sang for six years with Sadler's Wells Opera.
He was also the joint musical director of the Sadler's Wells Opera from 1966 to 1969.
It was founded at Sadler's Wells Opera in 1966.
He was a governor of Sadler's Wells Opera, and translated many libretti for it.
He later served on the conducting staff at Sadler's Wells Opera.
At the same time, the board of Sadler's Wells Opera made an approach to merge the two opera companies.
The continued existence of Sadler's Wells Opera was threatened by divisions within the company.
He joined the chorus of Sadler's Wells Opera the same year and continued his studies with Leonard Mosley.
Margaret Harris became Head of Design at Sadler's Wells Opera in 1962.
He next spent six years in the 1950s singing opera and operetta with Sadler's Wells Opera.
Next, he sang for six years with Sadler's Wells Opera.
He was also the joint musical director of the Sadler's Wells Opera from 1966 to 1969.
It was founded at Sadler's Wells Opera in 1966.
He was a governor of Sadler's Wells Opera, and translated many libretti for it.
He later served on the conducting staff at Sadler's Wells Opera.
At the same time, the board of Sadler's Wells Opera made an approach to merge the two opera companies.
The continued existence of Sadler's Wells Opera was threatened by divisions within the company.
He joined the chorus of Sadler's Wells Opera the same year and continued his studies with Leonard Mosley.
Margaret Harris became Head of Design at Sadler's Wells Opera in 1962.
