"Blood Knot," the 1961 two-character drama that established the reputation of the playwright Athol Fugard, is not an easy play.

Not until well into the second act of "Blood Knot" do its carefully set up emotional fireworks begin to detonate.

Blood Knots also reminded me of the otherworldliness of England's elitist private schools.

It's so rewarding to see the maturing of 'Blood Knot,' and to carry on the process.

He relived the groundbreaking premiere of "Blood Knot" - "when I knew I had already found my voice."

And the consequences of the relationships in that play are to be gleaned in "The Blood Knot."

In "The Blood Knot," it's not just wordplay that's the thing.

"The Blood Knot" received a Tony nomination in 1985, when it moved from New Haven to Manhattan.

A storefront in town served as the stage for Fugard's "Blood Knot."

"The Blood Knot" told the story of two black brothers, one of whom attempts to pass for a white man.