Running out of time here, so let me gloss over subtractive color mixing.

Subtractive color works best when the surface or paper, is white, or close to it.

This process is similar to subtractive color instant film with added timing and receiving layers.

It was finally decided the towers would be painted in red, blue and yellow the so called primary subtractive colors with the addition of white.

Subtractive color systems start with light, presumably white light.

In subtractive color systems, the color gamut is more often an irregular region.

Toll of the Sea, released in 1922, was the first film printed in their subtractive color system.

This is known as subtractive color, and it's what happens with paints and dyes.

The difference was that the two-component negative was now used to produce a subtractive color print.

Some concern processes for making subtractive color transparencies, which do not require any special projection or viewing equipment.

Capstaff's Kodachrome film was a subtractive colour transparency that only used two colours: green and red.

Newer systems substitute the primary subtractive colors cyan, magenta, and yellow for white.

The superimposed dye images combine to synthesize the original colors by the subtractive color method.

The first successful subtractive color system began with Kodak's Kodachrome system.

In subtractive color (i.e. paints) value changes can be achieved by adding black or white to the color.

Furthermore, neither additive nor subtractive color models define color relationships the same way the human eye does.

First successful subtractive color movie process (1916)

Remember, too, the theories relating to harmony and complementaries, and always be aware you are dealing with subtractive colour.

Media that use reflected light and colorants to produce colors are using the subtractive color method of color mixing.

One of the first movies to use subtractive color was a silent film titled Cupid Angling (1918).

Kodachrome was the first color film that used a subtractive color method to be successfully mass-marketed.

The method of projection was also changed: each record was printed and processed on duplitized stock, creating a successful subtractive color process.

Ink, like paint, uses subtractive colour mixing while the video monitor uses the additive colours; red, green and blue, to produce the same effect.

Arguing against my own suggestion here, there is a danger of over-answering the inquiry by introducing additive and subtractive color combinations.

Color printing, like painting, also uses subtractive colors, but the complementary colors are slightly different than those used in painting.