The processes for underglaze and overglaze decoration were very different.

Overglaze colours in enamel were used from about 1768.

Around 1779, he was able to lighten the cream colour to a bluish white using cobalt in the lead overglaze.

She points out that the Chinese overglaze red often has a more orange tone than the Japanese red.

Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again.

New overglaze painting techniques from various kamamoto-es were infused in the development of kutaniyaki.

Decoration applied on top of a layer of glaze is referred to as overglaze.

The first potter named Kakiemon, or his son, is credited with establishing overglaze painting on porcelain in the last third of the 17th century.

The inner lip is smooth, with thin, whitish inductural overglaze in some specimens.

Overglaze colors are low-temperature glazes that give ceramics a more decorative, glassy look.

A piece is fired first, overglaze is applied, and it is fired again.

1960-70 - Stone chips refined; overglaze added.

Kinrande use underglaze blue and overglaze red and gold, and later some other colors.

China with overglaze decoration Gold and silver decoration may fade, so it's best to check this with the manufacturer.

China Paint and Overglaze

Decoration in blue and white is by far the most common, although many polychrome wares, mainly with iron red and green overglaze decorations, are known.

Kinrande Imari is colored porcelain with underglaze cobalt blue and overglaze red and gold.

A $90 set of three lidded canisters by Anita Gladstone is white and cream with a blue-gray decorative overglaze.

Overglaze "bat printing" on earthenware was a fairly straightforward process, and designs in a range of colours including black, red and lilac were produced.

English tin-glaze potters rarely used the transparent overglaze applied by the more sophisticated Dutch and Italian potters.

By the mid-1750s the Worcester porcelain factory was producing both underglaze prints in blue and overglaze prints, predominately in black.

Overglaze (W) See Enamel, above.

A light-coloured pottery body covered with a tin glaze with overglaze decorations in cobalt on the unfired glaze.

Sadler and Green printed in Liverpool, where their trade included overglaze printing on tin-glazed earthenware, porcelain, and creamware.

He was the first in Japan to practice overglaze enameling (applying enamel on top of the glazing), a technique developed in Kangxi China.

Around 1779, he was able to lighten the cream colour to a bluish white using cobalt in the lead overglaze.

She points out that the Chinese overglaze red often has a more orange tone than the Japanese red.

Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again.

Decoration applied on top of a layer of glaze is referred to as overglaze.

The inner lip is smooth, with thin, whitish inductural overglaze in some specimens.

A piece is fired first, overglaze is applied, and it is fired again.

China with overglaze decoration Gold and silver decoration may fade, so it's best to check this with the manufacturer.

Decoration in blue and white is by far the most common, although many polychrome wares, mainly with iron red and green overglaze decorations, are known.

A $90 set of three lidded canisters by Anita Gladstone is white and cream with a blue-gray decorative overglaze.

English tin-glaze potters rarely used the transparent overglaze applied by the more sophisticated Dutch and Italian potters.

A light-coloured pottery body covered with a tin glaze with overglaze decorations in cobalt on the unfired glaze.

Kakiemon is sometimes used as a generic term describing wares made in the Arita factories using the characteristic Kakiemon overglaze enamels and decorative styles.

A fullblooded Tanu, it seemed to the human woman to be older than its actual age of three years-not only because of the longer limbs, but also in the overglaze of suffering on its still-beautiful face.

The Worcester and Caughley factories had commenced transfer printing underglaze and over glaze on porcelain in the early 1750s, and from 1756 overglaze printing was also applied to earthenware and stoneware.

There's a continuously changing display of one-off works by Clementina van der Walt and other artists here, as well as a full selection of Clementina's distinctive tableware, hand-painted in bright overglaze colours.

There are also Leach Japanese-style works: stoneware vases glazed in dark olive blues and browns, porcelain celadon tea bowls and a pale green stoneware bottle vase decorated with motifs that look like calligraphy in red overglaze enamel.

Early experiments with overglaze colored enamels at Arita are associated with Sakaida Kakiemon (1596-1666), whose name is memorialized in "Kakiemon" ware, the other main tradition in lightly fired overglaze enamel decors.