The minaret chhatris share the same finishing touches: a lotus design topped by a gilded finial.
The platform follows a simple lotus design and the details of the any inscription on the platform is unknown to anyone except the temple's archakas (priests).
Saptaratha plan and anuratha paga is decorated with lotus design.
Aiah moves back, stands at the entrance of the tower-topped building, a cool alcove of polished copper engraved with the district's lotus design.
The ceiling has floral paintings with a lotus design in the middle, suspending downwards.
The top is decorated with a lotus design, which also serves to accentuate its height.
The chattris all share the same decorative elements of a lotus design topped by a gilded finial.
It was mentioned in Indian literature by the 12th century when the writer Hemacandra described calico fabric prints with a lotus design.
A lotus design shown sprouting from his navel has the creator god Brahma, sitting in meditation.
On either side is a lotus design.
