half-length portrait

Each is a half-length portrait, and all have the same brooding quality.

Around sixty of Dobson's works survive, mostly half-length portraits dating from 1642 or later.

More than a dozen of these half-length portraits fill the second room of the exhibition, covering a period from around 1805 to 1817.

Two half-length portraits were therefore fixed upon.

Keïta claimed that the half-length portrait of a man leaning on a diagonal was his own invention.

The painting is a half-length portrait and depicts a woman whose expression is often described as enigmatic.

These prints have a muscular lyricism, most apparent perhaps in a half-length portrait of Toussaint dressed as a general.

The half-length portrait depicts a young woman dressed in typical Spanish attire, a white shirt and a black mantilla.

Often the paintings are relatively small, about the same size as a half-length portrait but in horizontal or "landscape" format; others are much larger.

The resulting half-length portraits are "de-individualised" by the deliberate accumulation of too many portraits over each other.

A half-length portrait of him in his episcopal habit is in Christ Church Hall.

Newton D. Baker, half-length portrait, seated, facing left.

An earlier half-length portrait shows Henry in a similar pose, but all the full-length portraits of him based on the Whitehall pattern are copies.

A half-length portrait was made of the tanned man with bright colors he called a "savage combination of incongruous tones".

Watelet's intervention resulted in greater stiffness while Baillie's half-length portrait of a Mennonite preacher has added life.

Elizabeth's miniature was painted by Samuel Shelley, and John Hoppner did a half-length portrait of her.

One is the very famous half-length portrait of Sir Thomas More, austere and puritanical in his rich robes of office.

A half-length portrait of Osborne in armour is in the possession of the Duke of Leeds.

One of these, placed to the right, is a half-length portrait of Lippo, pointed out by the inscription perfecit opus upon an angel's scroll.

Kucharsky liked to paint half-length portraits in pastels or in oils, but he also worked in gouache and sometimes painted miniatures.

His half-length portrait by Edmond Thomas Quinn is in the collection of the National Academy of Design.

Half-length portraits like "Tavant," of 1949, with its rigid, abstracted forms, illustrate how he combined elements of Picasso and Byzantine art.

The studio traditions of the reclining odalisque and full and half-length portraits are accounted for; homey bits of furniture come and go.

James Francis Edward Stuart, Old Pretender of Scotland, half-length portrait (1755, location unknown)

Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works - perhaps up to a half-length portrait size.