There are three degrees of comparison, it is said, in lying.

The Lithuanian language has five degrees of comparison.

An adjective also can have degrees of comparison.

The Danish adjectives and adverbs are inflected according to the three degrees of comparison.

Languages with more than three degrees of comparison of adjectives lack words for yes and no .

Degrees of comparison are not marked morphologically but are handled by syntax.

There are three degrees of comparison: positive form, comparative form and superlative form.

Italian has three degrees of comparison: comparative, relative superlative and absolute superlative.

Most studies utilize animal models that have varying degrees of comparison to the human brain; for example, small rodents are less comparable than non-human primates.

They have degrees of comparison: "more masculine" and "most masculine", and the opposite may be expressed by "unmanly" or "epicene".

It is, however, still moderately inflectional, having two numbers, three genders, two cases, two tenses, three persons, two moods, two voices, and two degrees of comparison.

Take the degrees of comparison to give you a faint idea of it: I am positively cunning; the devil is comparatively cunning; Mrs. Beauly is superlatively cunning.

They would not allow me to be a dwarf, because my littleness was beyond all degrees of comparison; for the queen's favourite dwarf, the smallest ever known in that kingdom, was near thirty feet high.

There are three degrees of comparison: positive form, comparative form and superlative form: these correspond to (and have the same endings as) English equivalents such as 'large', 'larger' and 'largest'. '

In linguistics, the comparative is a syntactic construction that serves to express a comparison between two (or more) entities or groups of entities in quality, quantity, or degree; it is one of the degrees of comparison, alongside the positive and the superlative.

In Dublin there is positively good company, and positively bad; but not, as in London, many degrees of comparison: not innumerable luminaries of the polite world, moving in different orbits of fashion, but all the bright planets of note and name move and revolve in the same narrow limits.