The Bourbons also tried to make vivandière appointments contingent on political loyalty to the monarchy.

In the French or other continental armies a vivandière was a woman who supplied food and drink to troops in the field.

Catherine is appointed vivandière (supplier of goods and victuals) to the regiment.

The second was La Vivandière; or, True to the Corps!

Vivandière and a Soldier (2nd gift)

Vivandière may refer to:

Markitenka (revival of La Vivandière).

It wasn’t until the dancing dolls appeared that this audience started to warm up, with Emma Maguire brisk as the Vivandière doll.

La Vivandière, a ballet choreographed by Arthur Saint-Léon.

For instance, in La Vivandière Gilbert included this joke on a Darwinian theme:

But Hee Seo, who danced the ballerina role in "La Vivandière," made the most of her opportunity.

Vivandière or Cantinière is a French name for women attached to military regiments as sutlers or canteen keepers.

After Napoleon I's defeat in 1814-15, the returning Bourbon Monarchy eliminated the title of cantinière and restored the word 'vivandière'.

In "La Vivandière Pas de Six," dainty steps were made deliberately leaden and an enormously tall ballerina had a tiny partner.

For Cerrito, Saint-Léon choreographed a ballet that was a hit in London La Vivandière (1843).

La Vivandière (as Markitenka) (revival, after A. Saint-Léon).

Stepping into Natalie Dessay’s shoes all too literally, Patrizia Ciofi’s incarnation of the vivandière Marie often seemed like a carbon copy of her predecessor’s.

Principal Dancers - Maria Surovshchikova-Petipa (as Kathi, the Vivandière), and Jules Perrot (as Hans).

Gilbert's four earlier operatic burlesques, Dulcamara, or the Little Duck and the Great Quack (1866), La Vivandière; or, True to the Corps!

She later resumed her career with several concerts then productions at the Théâtre-Lyrique de la Gaîté as La Vivandière, Orphée and in L'attaque du moulin.

As with Dulcamara, Gilbert based La Vivandière on a comic opera by Donizetti, using the composer's tunes, and those of other composers, and fitting new words to them.

For La Vivandière, he drew almost entirely on the music of Donizetti's original or Offenbach's similarly military operetta, La Grande-Duchesse de Gérolstein.

The success of Dulcamara and La Vivandière had shown that Gilbert could write entertainingly in this form, peppered with the dreadful puns traditional in burlesques of the period.

Guest's work made possible the reconstruction of several ballets such as "Pas de Six" from La Vivandière, and L'Après-midi d'un faune by Vaslav Nijinsky.

Vivandière or Cantinière is a French name for women attached to military regiments as sutlers or canteen keepers.