tremulant

As a rule, the stop is used with a tremulant, which undulates the wind supply, causing a vibrato effect.

His tone is all nasal, and his tenuto sounds like an organ tremulant."

The tremulant has been a part of organ building for many centuries, dating back to Italian organs of the sixteenth century.

There is usually a tremulant on the wind for Tibia pipes - the increase and decrease of wind pressure gives "life" to the sound.

The most simple kind of tremulant is a weighted electric motor affixed to the top of the reservoir for the division.

This tremulant gets its wind directly from a valve on the main bifurcation windline, through a 1" copper tube about 6" long.

When the tremulant is engaged, the flap drops into the wind trunk and bounces as the wind passes by it.

Finally, Casavant rebuilt most of the mechanical parts of the organ again in 1930, adding chimes and a tremulant.

The tremblant fort (French: "strong tremulant") allows an escape route for some of the wind in the wind trunk.

The Austin tremulant consists of a large blade that spans the length of the windchest above the pipes.

It was predominately used for liturgical and gospel church organs creating a Theatre Organ Tremulant effect.

Austin Organs, Inc. builds a proprietary kind of tremulant for its Universal Windchest.

It includes 21 stops, and provides an emulation of the swell pedal (which behavious differently to a Hammond organ) and tremulant.

The title of this album is taken from the lyrics of the song "Eunuch Provocateur" on the band's previous release, Tremulant.

When the tremulant is activated, the blade turns on its longitudinal axis, disturbing the air over the sounding pipes and creating a tremulant effect.

This lineup recorded three more tracks with Alex Newport, which became the EP Tremulant, released in early 2001 by Gold Standard Laboratories.

The tremblant doux (French: "sweet tremulant") was illustrated by Dom Bédos de Celles in his monumental L'art du facteur d'orgues.

The tremulant should not be confused with the celeste, which consists of two distinct ranks of pipes, one tuned slightly sharp or flat from the other, producing an undulating effect when they are used together.

Her work appears on their first EP Tremulant and although she did not perform on the recording of Deloused in the Comatorium, she did write some of the basslines .

The sound is, however, thicker and more homogeneous than a classically-designed organ, and is very often reliant on the use of tremulant, which has a depth greater than that usually found on a classical organ.

Whereas Tremulant had no general theme (except the prophetic mentioning) De-Loused was a unified work of speculative fiction telling the first-person story of someone in a drug-induced coma, battling the evil side of his mind.

Following Tremulant, The Mars Volta continued touring with a fluid line-up while preparing to record their debut full-length album De-Loused in the Comatorium, produced with Rick Rubin and released on June 24, 2003.