Since the process shots appeared flat the 3-D effect had less than the hoped for results.

All of the foreground plates for the process shots were also done in studio.

Around this same time began a more widespread use of rear-projection process shots.

Process shots were used to simulate most of the roller coaster ride.

Additional work took place at the Burbank studios to cover interiors and process shots.

The above-decks footage was integrated with the miniature work using process shots and traveling mattes.

There are even times when authentic outdoor scenes become eerily suggestive of studio process shots, simply because so much other artifice has been built in.

Several scenes called for airfighting of the contemporary type and neither Cathcart nor the producer were satisfied with the laboratory process shots.

The presence of a movie screen between the background image and foreground objects leads to a distinctive washed-out look that makes these "process shots" recognizable.

Most of the exotic locations were from the second-unit directors while studio process shots mainly inserted the lead actors into the scenes.

Process Shot (foaled 1966 in Florida) was an American Champion racehorse.

As a two year-old, Process Shot won eight of nine races over eight months, including six stakes races.

When Walt Disney saw how seamless the processed shots were, he ordered the script reconfigured to include more of the special effect.

The planet's exterior sequences were filmed on an empty stage obscured by mists, table top miniatures and Schüfftan process shots.

VistaVision was used by George Lucas in Star Wars for its larger negative while avoiding costly 65mm process shots.

Process Shot started off her sophomore season with a third in the Princeton Handicap at Philadelphia Park in April 1969.

In that race, Process Shot beat a field of nine fillies, including stakes winners Loyal Ruler and Around the Horn.

At the end of autumn 1968, Process Shot won the Mermaid Stakes at Atlantic City Race Course.

For sea-battle footage, Curtiz used a combination of process shots, miniatures, and footage taken from The Sea Hawk (1924).

The rival Thoroughbred Racing Association and Turf & Sports Digest awards were won by Process Shot.

A retooled VistaVision camera dubbed the Dykstraflex was used by the group (later called Industrial Light & Magic) in complex process shots.

At the end of May, Process Shot won the Vagrancy Handicap at 6.5 furlongs at Belmont Park.

The conclusion is never in doubt and the process shots are so obvious that one is startled the first time a buffalo-sized grasshopper hits the screen but never again.

A few process shots were necessary, mainly to put exterior views behind windows on sets and in the Mercedes where Miranda and Andrea are having their climactic conversation.

These so-called process shots were widely used to film actors as if they were inside a moving vehicle, who were, in reality, in a vehicle mock-up on a soundstage.