A kneeler is also a part of the prie-dieu prayer desk.

The octagonal font is from the 15th century, as is the prayer desk in the chancel.

The stalls and prayer desks were designed by the Chester architect John Douglas.

In his retirement, he built a mahogany pulpit, lectern, prayer desk, and baptismal font for the church.

In the chancel the bishop's throne, sedilia, prayer desk and stalls are all oak like the pews.

A pulpit was erected on the south side of the nave, the remains of which can be seen in the prayer desks in the sanctuary.

The Gothic prayer desk, used for private devotional purposes, is hardly known in England, but is not uncommon on the Continent.

Workers remodeled the chancel and fashioned from the original pulpit and desk a walnut altar with a stone top, a lectern and a prayer desk.

A prie-dieu (French: literally, "pray [to] God", plural prie-dieux) is a type of prayer desk primarily intended for private devotional use, but may also be found in churches.

Douglas replaced the seating, added a screen between the nave and chancel, provided a new pulpit, lectern, prayer desks, altar rails and table, sedilia and a credence table.

Morgan leaned his elbows on the prayer desk in front of him and bowed his head, resting his forehead on the heels of his hands as he let the link deepen.

A prayer desk was put up in memory of her by pupils and friends in Bonchurch church, where there is also a tablet commemorating Miss Sewell and her two sisters.

The carved oak choir stalls together with the prayer desk near the font were made by Mr. James Wilson, a local joiner who lived in Mumps Hall in the village.

He and Maud are also commemorated by an alabaster double monument set into the north wall of the chancel, in which almost life-size effigies of the couple kneel opposite each other at a prayer desk.

The small room that awaited the first travelers was dim and full of the warmth and fragrance of wood, furnished simply with two beds and a little table, with a crucifix on the wall and a prayer desk below it.

John Gedge, architect, of Bedford, drew up the plans for this new chapel, which involved reorienting the organ, as well as a new altar and altar rail, a new choir vestry, a new credence table, and a new prayer desk.

The seating, the prayer desk, the rails and the altar were designed by the architect and made in English oak by Peter Waals at Ernest Gimson's and Ernest Barnsley's Daneway Workshop, Sapperton, during their brief partnership.