Dodatkowe przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.
Its dominance today is not all bad - commercially, morally or imagistically.
Each of their solos was both formally concise and imagistically rich.
Yet their art was much less confrontational and imagistically loaded than the neo-Expressionism that became such a sensation.
Software aficionados speak of them, imagistically, as "agents," quietly making their way across cyber-borders.
The play is nearly as imagistically dense and reverberant as a poem by Yeats.
In poetry, Mr. Harris particularly admired writing that was imagistically rich, or even Surrealistic.
In the front hall, Pipilotti Rist created a tiny video of herself, trapped literally and imagistically beneath the floorboards.
Seen in bulk, his work is simply monotonous, so physically and imagistically similar the viewer must often resort to an over-refined Formalist gamesmanship to stay awake.
This great Spanish dancer offers a program inspired by the imagistically rich and passionate poetry of Federico Garcia Lorca, who was born a hundred years ago.
Blending dance with other arts, Sara Pearson/Patrik Widrig and Company offered an imagistically rich program on Thursday night at St. Mark's Church.
(Then there's the LAT 's economical but imagistically unfortunate headline, "Both Sides Urge Clinton to Tell Truth on Lewinsky.")
Because these episodes were imagistically vivid, they convincingly suggested that the apartment had been booby-trapped by some malevolent force and Ms. Peterman seemed to be urgently contending with unpredictable foes.
Hawkes underscores the theme of entrapment imagistically, with fleeting references to a sparrow attacked by a hive of bees, a wasp trapped between panes of glass, and so on.
Performed by Ms. Marin and her 12-member company in a debut season in the Next Wave Festival of the Brooklyn Academy, "Babel Babel" deals imagistically with the rise and fall - and loss of innocence - of civilization.
"Angels" forms an odd program pair with "Yesterday's Dream," Rodrigo Ortuzar's 30-minute lyrical essay in which a woman moves imagistically into her past - through family photographs and memories of a woman rocking a baby in a room where long white curtains blow eerily in from the windows.
As he was in "Red Sorghum," an imagistically flashy but much more didactic work about a young widow (Gong Li, who also plays Ju Dou) and the workers in her wine factory, here Mr. Zhang is a social critic who choreographs actions and images at the expense of emotions.