hyperbaton

The golden line is an extreme form of hyperbaton.

The vocabulary is more florid than in earlier works and there are even occasional uses of hyperbaton.

Much more extreme hyperbaton occurred in poetry, often with criss-crossing constituents.

One scholar of British Literature completely missed the hyperbaton which is central to the form.

In other words anacoluthon is a subtype of hyperbaton.

In Latin and Ancient Greek, the effect of hyperbaton is usually to emphasize the first word.

Bede advocated a double hyperbaton, and also the placing of adjectives before nouns.

Culteranismo used bleak language and hyperbaton.

"Chiasmus and hyperbaton in the Annals of Ulster."

A rare example of a valid, if idiomatic, English use of this typology is the poetic hyperbaton 'Answer gave he none.'

Martínez employs bombastic language latinized by the device known as hyperbaton, and also employs rhymed prose and homeoteleuton.

Classical Latin and Ancient Greek were known for a more extreme type of scrambling known as hyperbaton, defined as a "violent displacement of words".

His style is marked by its frequent use of Latinisms and hyperbaton, as well as by mentions of a wide array of figures from Classical mythology.

Góngora also had a penchant for apparent breaks in syntactical flow, as he overturned the limitations of syntax, making the hyperbaton the most prominent feature of his poetry.

Many of the literary techniques he used are still common today, including hyperbaton: "plenus saculus est aranearum" (Catullus 13), which translates as 'my purse is all full - of cobwebs.'

The liberal use of hyperbaton, antithesis, arcane classical allusions, abstruse metaphors and intricate witticisms mark a genuine distinction from Renaissance poetry (see Euphuism, Culteranismo, Marinismo, Préciosité).

The large number of golden lines in poetry from the sixth through ninth centuries could reflect the combination of several trends, such as the preference for hyperbaton and the growing popularity of leonine rhymes.

Naturalism and sharply critical points of view on Spanish society are common among such conceptista writers as Quevedo, while culterano authors emphasize the importance of form with complicated images and the use of hyperbaton.

Donatus, in his work On tropes, thus includes under hyperbaton five species: hysterologia, anastrophe (for which the term hyperbaton is sometimes used loosely as a synonym), parenthesis, tmesis, and synchysis.

In the examples from each criterion (double hyperbaton and adjectives before nouns) Bede includes at least one golden line, but from his other examples it is clear that he did not limit these injunctions to the golden line:

The Spanish Golden Century poet Luis de Góngora was the champion of culteranismo (sometimes called gongorism in English), a style that subjected Spanish to abstruse Latinate neologism, obscure allusions to Classical mythology and violent hyperbaton.