head register
head voice

Cattle raising is also important with 92,000 head registered.

Gelbveih are currently the 6th largest beef breed in Canada with 3500 head registered yearly.

The chest register was the lowest of the three and the head register the highest, with the passaggio in between.

The continuing, tremulous nodding of her head registers as a direct consequence of having worked too hard and too long to be a reassuring wife.

These vocal pedagogists prefer the term "head voice" over the term "head register."

She generally sang in her chest register but could use her head register and sing in a very controlled tone.

In particular, the use of the term head register has become controversial since vocal registration is more commonly seen today as a product of laryngeal function.

According to an early 20th century book written by David Clippinger, all voices have a head register, whether bass or soprano.

During official weigh-ins, Head registered 170.25 pounds while Catone failed to make weight, coming in at 173 pounds.

She stressed the "unmusicalness" of the seventh octave, as well as the avoidance of the head register in men.

Many vocal pedagogists partially blame this confusion on the incorrect use of the terms "chest register" and "head register".

Head Register office,Erode is in Karungalapalayam.

Such pedagogists teach that the head register is a vocal technique used in singing to describe the resonance felt in the singer's head.

Also, the term head register is not used within speech pathology and is not one of the four main vocal registers identified by speech pathologists.

Tosi clearly advocates uniting and blending the chest and head registers, the first recorded vocal pedagogue to do so.

Walk-over locating system - In first system a sonde, or transmitter, behind the bore head registers angle, rotation, direction, and temperature data.

In the head register (which is above the chest register), some of the bottom end leaves the voice, but it's still, according to Martin, a voice capable of much power.

HEAD RESONANCE should not be confused with head register or falsetto.

The term was later redefined during the bel canto period when it was identified as the lowest of three vocal registers: the chest, passaggio and head registers.

His turn of the head registered only annoyance, as if he were insouciantly deciding whether or not to kill me, but his eyes glittered with emerging hatred, and he hissed sharply.

Then, the cosine and sine of the heading (that is currently stored in the heading register) are added to the proper register that stores the and velocity components.

The hollows of his eyeholes were radiating now; specks of lights and pulsating flashes grew in intensity as his Lens within his head registered his fervid mood.

CHAPTER SIXTEEN The pain in Skeeter's head registered first.

Tugendlieb had become proverbial for dividing off head register from chest voice, allowing production of nasal tones, which resulted in a greasy-voiced sound distinctive for overtone singing, or rather children.

According to this practice, singing in the head register feels to the singer as if the tone is resonating in his or her head (rather than primarily in the chest or throat).

His head voice is where most of the sound resides.

He moves easily into a light head voice, fully supported.

He was still a soprano in the choir, but had to use his head voice.

A resonance area such as chest voice or head voice.

Chest voice and head voice are terms used within vocal music.

Many conclude from this that the head voice of a woman is man's falsetto equivalent.

I don't like to use head voice and falsetto.

Mainly, the chest, middle (throat), and head voice occur in women.

Typically songs begin in falsetto before singers move to their head voices.

During the chorus Williams reaches an extremely high disco-like head voice.

The control over his head voice is such that in "Opening Image" he could quite easily be mistaken for a woman.

Early writers also used the term "falsetto" as a synonym for head voice.

The following is an overview of the two predominant views on head voice within vocal pedagogy.

Thomas Moser is the composer hero, most effective when he can use the intimacy of his head voice.

Yodelling is performed by rapidly alternating between a singer's chest and head voice.

Flower thought she head voices once, but could not be sure, even though she paused and listened with all her concentration.

He was also impressed by Mr. Young's ability as a tenor "to go into his head voice without a break."

To his baritone register he has added a tenor head voice of compelling sweetness and purity.

In Debbie's voice the technical mix of the head voice and the chest voice is perfect.

"You have a marvelous head voice," she told the drained but still eager singer, "but you're not using it to advantage."

As a result, many vocal pedagogists have redefined or even abandoned the use of the term head voice.

In church choirs the singers are often trained to use a lot of head voice because this sounds beautiful in large cathedrals.

She demonstrated 'Amazing Grace' using chest and head voice with different vibratos.

In vocal music, head voice is one of two meanings as different vocal pedagogical circles differ on its meaning.

But the most encouraging sign that the head voice is making headway is the number of young countertenors beginning promising careers.