flutter-tonguing

Flutter-tonguing is common in jazz music, particularly that which is associated with New Orleans or Vaudeville style.

Strauss uses dissonant flutter-tonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique.

Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrFrrrrr" sound.

He gained momentum in the Jolivet, in which he showed good agility in the flutter-tonguing and pleasing tone throughout.

Many extended techniques can be performed on the bassoon, such as multiphonics, flutter-tonguing, circular breathing, tonguing, humming and playing simultaneously, and harmonics.

In the case of the bassoon, flutter-tonguing may be accomplished by "gargling" in the back of the throat as well as by the conventional method of rolling Rs.

Antonio Hart on alto saxophone and Tim Warfield on tenor saxophone built from calm exposition to squealing peaks, while Marlon Jordan on trumpet relied on the bravura of flutter-tonguing and high notes.

The technique of flutter-tonguing, where the player rolls the tongue instead of precisely articulating individual notes, may be used for particular effect in quiet passages; now quite commonly used, it was introduced at the beginning of this century by R. Strauss and Mahler.

You're left with the tatters of a chaconne for solo violin or a chamber symphony, emerging in fits and starts, with much flutter-tonguing and clicking of flute keys and sharp, bitter breaks in the musical line, as if every thought were uttered with a great deal of self-conscious twisting of the hands.