Exodos: Old Comedy mandates a happy ending that culminates in a final song to mark the cast's departure.

Sons Croisés/Exodos.

His sons (or dancers masquerading as his sons) danced in the exodos in this play in competition with Philocleon.

They also served as the ancient equivalent for a curtain, as their parodos (entering procession) signified the beginnings of a play and their exodos (exit procession) served as the curtains closing.

He has recorded for Lyrinx, RCA, Harmonia Mundi, Naïve, ADDA, Sons Croisés/Exodos and BMG.

It was called Loki Bound and was as classical as any Humanist could have desired, with Prologos, Parodos, Epeisodia, Stasima, Exodos, Stichomythia, and (of course) one passage in trochaic septenarii-with rhyme.

The other main part of the plays was the Parabasis, normally split into two parts and accompanied by one or more Scenes and a Chorikon, before a finale often involving a feast or rejuvenation, and leading to a final Exodos.

Exodos: Old Comedy conventionally ends with a celebration of the protagonist's victory and it features a sexual conquest, as represented for example by the flute girl in The Wasps and the Muse of Euripides in The Frogs.