The university also maintains a 4 camera production truck for electronic field production.

Electronic Field Production cameras were often mounted in studio configurations inside a mounting cage.

Typical applications of electronic field production include awards shows, concerts, major newsmaker interviews, political conventions and sporting events.

The term ENG was created as television news departments moved from film based news gathering to electronic field production technology in the 1970s.

As part of a typical electronic field production (EFP) television crew, videographers usually work with a television producer.

Electronic field production (EFP) places the emphasis on high-quality, multiple-camera setup photography, advanced graphics and sound.

Electronic field production (EFP)

Students can choose between audio production, digital media, electronic field production (EFP) and multi-camera/studio production.

Advanced Digital Video (Electronic Field Production)

Reporters are usually engaged in Electronic field production (EFP) and are accompanied by a videographer at the scenes of the news; the latter holds the camera.

Two styles of producing video are ENG - Electronic news-gathering and EFP - Electronic field production.

The exception turned out to be video journalists who work more as independent documentary film-makers, using their electronic field production (EFP) mobility and easier access to do stories that don't have short deadlines.

Electronic field production (EFP) is a television industry term referring to a video production which takes place in the field, outside of a formal television studio, in a practical location or special venue.

Professional video cameras, such as those used in television production and sometimes filmmaking in digital cinema; these may be television studio-based or mobile in the case of an electronic field production (EFP).

Electronic Field Production cameras are similar to studio cameras in that they are used primarily in multiple camera switched configurations, but outside the studio environment, for concerts, sports and live news coverage of special events.

Outside broadcasting vans, production trucks, or SUVs with electronic field production (EFP) equipment are sent out with reporters, who may also bring back news stories on video tape rather than sending them back live.

The relatively new "electronic field production" portable video technology used for location footage in place of the traditional 16mm film also exhibited serious problems due, amongst other things, to the movement of the ship which disrupted the stability of the video recorders.

Virtually all modern video cameras are small enough for hand-held use, but many professional video cameras are designed specifically for hand-held use such as for electronic news-gathering (ENG), and electronic field production (EFP).

It would eventually be replaced by cheaper systems using video compression, most notably Sony's Digital Betacam (still heavily used as an electronic field production (EFP) recording format by professional television producers) that were introduced into the network's television studios.

In broadcast engineering, a remote broadcast (usually just called a remote or a live remote, or in news parlance, a live shot) is broadcasting done from a location away from a formal television studio and is considered an electronic field production (EFP).

Television production trucks were developed to take television studios on the road so video productions could be made at distant locations for a remote broadcast, outside broadcasting (OB), electronic field production (EFP) with multiple-camera setup and a support of a number of different technologies to bring everything together.