Still, these often dazzling paintings give more than a glimpse of a path not taken.

That he has fashioned some dazzling paintings from these convictions is no surprise.

The dazzle painting was not used when Mauretania served as a hospital ship.

After World War I, there was some contention about who had originated dazzle painting.

US Navy Dazzle Painting was similar to the Admiralty system, but used medium size polygons and more muted colors.

Wilkinson developed and led the use of a widely used disruptive coloration in naval camouflage, for which he coined the well-known term "dazzle painting" or dazzle camouflage.

Such is the case with the exhibition of David Reed's suave, technically dazzling paintings at the P.S. 1 Contemporary Art Center in Long Island City.

All the better that it's packed with priceless antique furniture, ancient Greek sculptures, porcelain ceramics and dazzling paintings, such as a version of Hieronymus Bosch's Temptation of St Anthony.

British marine painter Norman Wilkinson invented the concept of "dazzle painting" - a way of using stripes and disrupted lines to confuse the enemy about the speed and dimensions of a ship.

His escort during that visit to the US (during which he lectured at harbors at Boston, New York, Philadelphia, and Norfolk on the purpose, design and application of dazzle painting) was Everett Warner.

Dazzle camouflage, also known as razzle dazzle or dazzle painting, was a family of ship camouflage used extensively in World War I and to a lesser extent in World War II.