In a diagram this can be shown as a circle which is called the "Circle of Fifths".

Other pictorial items offer practical help: for example, the Circle of Fifths Poster.

("The Circle of Fifths is easy to memorize.

The risk is that "Circle of Fifths" will look like so many other neo-Balanchine ballets in the master's contemporary style.

Mashup genius Milkman s title track off his newest album Circle Of Fifths.

Knowing the key, DJs can use music theory (such as the Circle of Fifths) to play songs in a harmonically-pleasing order.

Around this time he started composing again, writing his Circle of Fifths for piano (published as Twelve Miniature Studies).

On Thursday night at the New York State Theater, it offered "Circle of Fifths," which Christopher d'Amboise created in 1997.

The Circle of Fifths was first described in 1728 by Johann David Heinichen in his book Der General-bass.

Another experiment, revived this season, is "Circle of Fifths," which Christopher d'Amboise created to Philip Glass's Concerto for Violin and Orchestra in 1997.

In "Circle of Fifths," Philip Glass's "Concerto for Violin and Orchestra" impelled Mr. d'Amboise into exuberant movement imagery and streamlined cool.

"A Theoretical Work of Late Seventeenth-Century Muscovy: Nikolai Diletskii's "Grammatika" and the Earliest Circle of Fifths".

The Diamond Project, a festival of new works that the New York City Ballet does not call a festival, continues apace, and the third entry, "Circle of Fifths," is a winner.

What is most interesting about "Circle of Fifths," which also featured Wendy Whelan and Albert Evans, is the inventive and exciting ways Mr. d'Amboise uses the stage space.

Once the musical key and BPM is known for a set of songs, DJs can use music theory (such as the Circle of Fifths) to identify songs that are harmonically compatible.

How to Improvise Around the Circle of Fifths Video explaining the circle of fifths and how to use it to improvise Jazz piano with.

It is shown that these alternate modes can be seen as variations of the traditional major and minor keys, and that they can be translated to traditional keys via the Circle of Fifths.

Recording Engineers - Dodjie Fernandez (Digitrax Recording Studios); Byron Bryant and Eric Mangune (Republic of Sounds under Circle of Fifths studio)

Christopher d'Amboise's "Circle of Fifths," performed by the New York City Ballet on Wednesday night at the New York State Theater, is easily one of the oddest dances in the company's repertory.

Mr. d'Amboise started rehearsals for "Circle of Fifths," set to Philip Glass's Concert for Violin and Orchestra, in December, with the principal dancers Wendy Whelan, Peter Boal and Albert Evans.

"Circle of Fifths" is a plotless ballet that is about its movement, although the lighting, especially well designed by Mark Stanley, and the gorgeous metallic blue or green leotard tops by Holly Hynes, can contribute to an implied dramatic imagery in the choreography.

The choreographically well-balanced program also included repeat performances of Christopher d'Amboise's fascinating new "Circle of Fifths" and Jerome Robbins's "West Side Story Suite," in which Damian Woetzel made a fiery debut as Riff, a street-gang leader.

During the second movement of the Glass concerto, Mr. Boal lies on the floor while Ms. Whelan and Albert Evans fit the angular lines of their bodies into the astonishingly inventive duet that makes "Circle of Fifths" so striking within its self-imposed conventions.