anamorphic

To make full use of the available film, an anamorphic lens is used during recording.

A director is now as likely to be asked by a film fan, "Do you prefer anamorphic or super-35?"

It is Queen's only music video shot in anamorphic format.

But I have never heard the phrase "super 35 blown up to anamorphic."

This is done by projecting the image through an anamorphic lens.

This version is anamorphic and with many extras made by the fans.

The Ward was shot flat and scanned for anamorphic 2.35:1.

The Region 2 and 4 releases are all in anamorphic widescreen.

Anamorphic features needed only a single print, so synchronization was not an issue.

The aspect ratio of the Australian release is an anamorphic 1.77:1.

The film was presented in anamorphic widescreen for this release.

The picture was relatively clear, but distorted-as if shot through an anamorphic lens.

An anamorphic lens can create artifacts or distortions as described above.

They will also appear as an oval if the print is projected through an anamorphic lens.

The film was shot with the anamorphic process.

In general however the lenses never became popular for anamorphic films because they are very heavy and had breathing problems.

The season premiere was shot completely in anamorphic format on 16 mm film.

Waters used the film's anamorphic version for his 2010-11 tour of The Wall.

The rest of the film was filmed in 35 mm anamorphic Technovision.

It was presented in the anamorphic widescreen 2.35:1 aspect ratio.

Under Natan's leadership, the anamorphic film camera lens was developed.

The first of the early 1990s sealed anamorphic monobloc Iscoramas.

There are numerous companies that are known for manufacturing anamorphic lenses.

The film was one of the few Disney animated features produced and shot in 70mm anamorphic format.

It was also the first Australian film to be shot with a widescreen anamorphic lens.