The Alto Relievo in the Front of the Shakespeare Gallery, Pall-Mall, after sculptor Thomas Banks, 1796.

As regards one of these foibles, I should not even have mentioned it in this history but for the remarkable prominency- the extreme alto relievo- in which it jutted out from the plane of his general disposition.

Ashlin designed a High Altar carved from Carrara marble, Lapis Lazuli and Jasper to sit before Hague's Rood Screen and the Italian sculptor, Cesare Aureli was commissioned to carve a frontal in alto relievo of Leonardo da Vinci's Last Supper.