Photo-Secession

Later the following photographers were listed as Members of the Photo-Secession.

However, some of the original members of the Photo-Secession did not appreciate the name change and especially the thinking that led to it.

The opening was attended mainly by those members of the Photo-Secession who were in New York at the time.

The Symbolist painters, being closer in time, were followed more closely by Photo-Secession photographers.

The Photo-Secession rebelled against the clear-eyed, often more pragmatic or topographic approach of many 19th-century photographers.

The Photo-Secession was an early-20th-century movement that promoted photography as a fine art in general and photographic pictorialism in particular.

Later in his life, Stieglitz gave this account about the origins of the Photo-Secession:

A year later Stieglitz formally dissolved the Photo-Secession, although by that time it existed in name only.

The Photo-Secession was founded by photographer Alfred Stieglitz in 1902.

After several years of protesting these practices, in 1912 Käsebier became the first member to resign from the Photo-Secession.

In 1902 Stieglitz included Käsebier as a founding member of the Photo-Secession.

Their association with Stieglitz led in 1902 to their becoming co-founders of the Photo-Secession movement.

Like the Photo-Secession, the PPA sponsored exhibitions and published a journal.

In 1905, he wrote "The most important step in the history of the Photo-Secession" was taken with the opening of his photography gallery that year.

In October, 1905, Stieglitz sent a letter to all members of the Photo-Secession, saying:

She was listed as a founding member of Alfred Stieglitz's famed Photo-Secession.

Käsebier, the most successful American portrait photographer in the first decade of the 20th century, was a founding member of the Photo-Secession.

Both figure prominently in Stieglitz's concurrent efforts to promote pictorialism through his establishment of the Photo-Secession.

The first exhibit consisted of one hundred prints by Photo-Secession members, selected entirely by Stieglitz.

As the head of the Photo-Secession movement at the turn of the century, he argued vociferously for the status of photography as art.

Stieglitz's Photo-Secession comprised a handpicked stable of photographers whose work met his exacting esthetic demands.

In late 1902 Eugene becomes a Founder of the Photo-Secession and a member of its governing Council.

The photographer Alfred Stieglitz (1864-1946) led the Photo-Secession movement, which created pathways for photography as an emerging art form.

While making this proclamation in the journal, Stieglitz continued to unabashedly promote the Photo-Secession in its pages.

Four years later, in 1906, Boughton was appointed by Stieglitz as a Fellow of the Photo-Secession.