Neapolitan school

Inside the church has four paintings of the 1640 Neapolitan school.

He is considered the founder of the Neapolitan school of opera.

Macque moved to Naples around 1585, where he became famous as the leader of the Neapolitan school.

Leo was the first of the Neapolitan school to obtain a complete mastery over modern harmonic counterpoint.

He was a member of the Neapolitan School of Posillipo.

St. Thomas' cell now houses a 16th-century triptych of the Neapolitan School.

Most of his more than 50 opera libretti were comedic works written for composers of the Neapolitan school.

The interior has Neapolitan school frescoes.

A conservative of the Neapolitan school, he was the most successful Italian composer, second only to Verdi, during the 1850s and 1860s.

Antonio Valente, the first major keyboard composer of the Neapolitan school, was organist here in 1565-80.

The feudal chapel houses Neapolitan school artworks.

After returning to Naples from Cremona, he became the founder of the Neapolitan school.

It houses a famous Deposition of Neapolitan school (17th century), and partly ruined 15th century frescoes.

It contains a baptismal font of red marble and a number of 18th century paintings of the Neapolitan School.

Church of Annunziata (17th century), housing a 16th century Annunciation from the Neapolitan School.

Robert Soames was the American art critic and world authority on the Neapolitan School, a man of strong and controversial views.

He is regarded as one of the greatest Italian Enlightenment thinkers and considered the founder of the Neapolitan school of law.

However, "The concept of Neapolitan school, or more particularly Neapolitan opera, has been questioned by a number of scholars.

Collantes was born in Madrid but sought influence from Jusepe de Ribera and the Neapolitan School.

His father, Alessandro Scarlatti, was a member of the Neapolitan School of opera and has been credited with being among its most skilled members.

He was a representative of the Neapolitan School, and wrote during a period dominated by Alessandro Scarlatti, who was also from Palermo.

The Neapolitan School has been considered in between the Roman School and the Venetian School in importance.

The stark realism you'll see in Caravaggio's Flagellation and the Seven Works of Mercy launched a whole Neapolitan school of "Caravaggeschi" displayed here.

By 1822 he was in the class of the director Nicolò Zingarelli, studying the masters of the Neapolitan school and the orchestral works of Haydn and Mozart.

It has one nave and two aisles, and houses a polychrome marble high altar, a fresco dating from the 16th century and Neapolitan school canvases dating from the 18th century.