He also makes much use of the Hungarian gypsy scale.

Exotic scales like the so-called Gypsy scale are rarely used.

The piece in whole is quite a lively piece, with the use of the gypsy scale.

It is also likened to the gypsy scale because of the augmented 2 between the 2nd and 3rd degrees.

This scale is one of two known as the Hungarian Gypsy scale.

They also occur in the various Gypsy scales (which consist almost entirely of augmented and minor seconds).

This march is based on a four note ostinato based on the gypsy scale.

The sequence of steps forming the Hungarian Gypsy scale is:

Spanish gypsy scale, a musical scale more commonly known as Phrygian dominant scale.

This entire section makes use of the so-called gypsy scale, which Liszt frequently used in his Hungarian-themed compositions.

Here it is also possible to find elements of gypsy scales which contain augmented intervals unusual for the traditional music of Western Europe.

The Phrygian dominant is altered to become the Spanish Gypsy scale by the raising of the 7th scale degree.

They especially eschewed the interval of the augmented second, part of the Hungarian gypsy scale scale used typically in klezmer music.

The second theme (Moderato), in the violins, is interesting in its melodic structure, which uses the gypsy scale (with two augmented seconds).

The Hungarian Gypsy scale can be made by raising the fourth degree of the natural minor or harmonic minor scale.

The Hungarian scale or Hungarian Gypsy Scale is a name given by different authorities to two different scale forms.

The term Gypsy scale, (alternatively known as "Ciprian scale") refers to one of several musical scales named after their association with Gypsy music.

The Spanish Gypsy scale is an alteration of the fifth mode of harmonic minor, or Phrygian dominant scale.

The most commonly known of these modes is the 4th mode, the Hungarian gypsy scale, most similar to the harmonic minor scale with a raised 4th degree.

Neapolitan minor may also be called or refer to the Hungarian Gypsy scale and Neapolitan major may also be called Lydian major scale.

The use of the Phrygian mode and the minor Gypsy scale in this tune is also present in other "Spanish" works from those dates, like Davis's Sketches of Spain.

These bands played elegant dance hall music, incorporating a great deal from other cultures in France and Latin America, including tango, Italian popular song, swing, rumba and melodies played in Gypsy scales.

The Hungarian-born composer and pianist Franz Liszt was strongly influenced by the music heard in his youth, particularly Hungarian folk music, with its unique gypsy scale, rhythmic spontaneity and direct, seductive expression.

Nardis makes use harmonically and melodically of the Phrygian dominant scale and the minor Gypsy scale (technically known as the double harmonic scale), and it is set in thirty-two-bar AABA form.

Chromatic melodies, octave leaps, use of the gypsy scale (a minor scale with raised fourth and raised seventh), and flashy virtuoso embellishments in the first violin make this movement "sheer fun for the listener and likewise for the players," writes Miller.