The concert film was shot on anamorphic 16:9 Digital Betacam using 13 cameras.

Shot on Digital Betacam, nearly four and a half hours of video was shot, from a script over 200 pages long.

It is a direct competitor to Digital Betacam.

Produced on a very low budget the movie was actually shot on 16mm film and transferred to Digital Betacam for finishing.

The film was treated in the color grading process by transferring it to digital Betacam tape and then back to 35 mm film.

These were digitised and archived to Digital Betacam.

ScreenSound Australia holdings are described according to their first preservation formats only, digital betacam videotape, 35 mm film, and so on.

Digital Betacam (Sony)

DigiBeta, the common name for Digital Betacam, went on to become the single most successful professional broadcast digital recording video tape format in history.

It lacks an analog audio (cue) track as the Digital Betacam, but will read it as channel 7 if used for playback.

MPEG IMX is a 2001 development of the Digital Betacam format.

An example of the latter would be the dubbing of a Digital BetaCam videocassette to DVD.

All though digital delivery is becoming common in North America, most of the world still runs on standard definition Digital Betacam as the required delivery format.

A new digital Betacam SX format was introduced, one of the first CBC stations to transition to make use of it.

Video quality is generally very high; at standard definition resolutions, quality is higher than that of Betacam SP and comparable to Digital Betacam.

Some of the D-9 television studio gear is capable of recording with Sel-Sync or pre-read and is provided with 4 channel audio like digital betacam.

In 1999, RCTV purchased the Digital Betacam, which allowed the use of cinematographic techniques in the illumination of outdoor shots.

Another key element, which aided adoption was Sony's implementation of the SDI coaxial digital connection on Digital Betacam decks.

It had the advantage of development time as it was introduced much later than Sony's D-1 and 2 years after Sony's Digital Betacam format was unveiled.

Even as HD broadcasting and delivery became more commonplace in the U.S. after 2008-2010, networks would often require Standard Definition copies on Digital Betacam.

Professional ENG Camcorders such as Sony Digital Betacam currently achieves dynamic ranges of greater than 90dB in audio recording.

Television shows such as CBS' "The Rachael Ray Show" was still recorded and archived on Digital Betacam as late as 2012.

The game was filmed on Digital Betacam tape with Sony cameras and captured using Power Macintoshes running Adobe Premiere and Media 100.

It can be seen during the programme that Sony DVW-790WSP Digital Betacam cameras were used to provide a widescreen (16:9 aspect ratio) 576i standard definition picture.

Digital Betacam (commonly referred to as DigiBeta, D-Beta, DBC or simply Digi) was launched in 1993.