Betacam SP

Despite the format's age Betacam SP remains a common standard for video post-production.

The station is slowly moving away from Betacam SP and moving to a digital format.

The series was shot on Betacam SP by cameraman Nic Small.

Betacam SP (Sony)

It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording.

This resulted in MII not being nearly as successful as Betacam SP.

Betacam and Betacam SP tape cassette shells varied in color depending on the manufacturer.

All films were shown in Betacam SP format (the standard format for festivals in Russia).

Agildo Ribeiro, publicity video, Betacam SP, for Discosset.

It supersedes both Betacam and Betacam SP, while costing significantly less than the D1 format.

All Betacam SX equipment is compatible with Betacam SP tapes.

Betacam SP (for "Superior Performance") became the industry standard for most TV stations and high-end production houses until the late 1990s.

Stock footage companies began to emerge in the mid-1980s, offering clips mastered on Betacam SP, VHS and film formats.

Please contact...Homefront Communications for hardcopies on Betacam SP and faxed/email notification copy."

Video quality is generally very high; at standard definition resolutions, quality is higher than that of Betacam SP and comparable to Digital Betacam.

The BVV-5 was the Betacam SP dockable camera back, which could play back in color if its companion playback adapter was used.

CHAN-DT uses Betacam SP analogue videotape for all of its local advertisements and non-live parts of their newscasts.

Due to an undetected audio board failure in a Sony Betacam SP recorder, Wayne unfortunately recorded the video without any audio, rendering the program tape useless.

João Deus Ramos, 25' Betacam SP, for RTP, Director and Director of Photography.

MII was a professional analog recording videocassette format developed by Panasonic in 1986 as their answer and competitive product to Sony's Betacam SP format.

The first Nollywood films were produced with traditional analog video, such as Betacam SP, but today almost all Nollywood movies are produced using digital video technology.

The Betacam SX system was very successful with newsgathering operations, which had a legacy of Betacam and Betacam SP tapes.

Betacam SX is a digital version of Betacam SP introduced in 1996, positioned as a cheaper alternative to Digital Betacam.

Featuring Kyp Malone from TV on the Radio, the film is shot entirely on analog Hi-8, edited on linear VHS, and mastered onto Betacam SP.

Paulo De Carvalho - Gostar de Ti, 15", Betacam SP, publicity for CBS; Director and Director of Photography.