Except for the first hour of flight, the signal-to-noise ratio was good.

These have a poor signal-to-noise ratio, which is disruptive to digital signals.

To increase the signal-to-noise ratio a lock-in technique may be used.

For the completely synthetic data shown in Figure 1a,1bthe signal-to-noise ratios are 14.3 and 2.5 respectively.

Increasing the signal-to-noise ratio enables messages to be more clearly received.

Higher drive levels, in turn, reduce the impact of noise by increasing the signal-to-noise ratio.

The final signal-to-noise ratio is often less than 40 dB, especially in the case of 16 mm film.

The concepts of signal-to-noise ratio and dynamic range are closely related.

Floating-point numbers provide a way to trade off signal-to-noise ratio for an increase in dynamic range.

To increase our signal-to-noise ratio, we pass the received signal through a matched filter.