During this time he prepared the ensemble and participated in the recording of Schoenberg's Pierrot lunaire, conducted by the composer.

Her first recording of the role, conducted by John Pritchard, was released two years later and is also available on London.

A complete recording of the opera, financed and conducted by Herrmann, was produced by the Pye label in 1966.

In later performances, a special recording, also conducted by Strauss, provided the music.

A 1934 recording conducted by Stravinsky also uses the English libretto.

These recordings, conducted in the 60s, 70s, and early 80s are available at Mark's website Phone Trips.

The soundtrack and cast of the film is the same as the 1974 recording conducted by Michael Gielen (Philips 6700 084).

The work was first published in 1958 and first recorded in 1959, in a recording conducted by the composer.

The recording conducted by Georg Solti was the first stereo studio recording of the complete cycle.

The 1942 recording conducted by Roger Désormière, is considered a reference by most critics.