What exactly constituted the "old" irrealism, they do not say.

Various writers have addressed the question of Irrealism in Art.

In this respect, eliminativism and epiphenomenalism both come close to the same: mental irrealism.

The philosophical term may be used in more specific or arguably narrower senses, such as "colour irrealism".

I am travelling through an utopian world filled with the inconstant, the unattainable and the irrealism.

Irrealism was initially motivated by the debate between phenomenalism and physicalism in epistemology.

Metaphysically, Goodman's irrealism is distinct from anti-realism though the two concepts are frequently confused.

Artist Tristan Tondino has made a number of claims about Irrealism.

Instead writing in the United States quickly returned to its realist orthodoxy and the term irrealism fell into disuse.

Many philosophers follow empirical psychologists in endorsing color irrealism, the view that colors are entirely mental constructs and not physical features of the world.

Dean Swinford, Defining irrealism: scientific development and allegorical possibility.

Irrealism has two main meanings:

He writes, "Realism is an Irrealism."

Crispin Wright, John Skorupski and some others defend normative cognitivist irrealism.

Cognitivism encompasses all forms of moral realism, but cognitivism can also agree with ethical irrealism or anti-realism.

- Irrealism (philosophy)

Timescape shows similar connection between the human scale of things and the cosmic with a combination of techniques from mainstream "irrealism" and from hard science fiction.

Irrealism is a philosophical position first advanced by Nelson Goodman in "Ways of Worldmaking", encompassing epistemology, metaphysics, and aesthetics.

Many salient observations on Irrealism in Art are found in Nelson Goodman's Languages of Art.

By the end of Timescape, sdence and "irrealism" have blended in such a way that the difference between objective, scientific reality and subjective "irre-ality" is virtually obliterated.

Malaise and mystery are all by-products of the interaction of the real and the unreal, the rub and contact of two worlds caught on irrealism's shimmering surface.

American irrealism and the cult of experience (uses Rahv's essay "The Cult of Experience in American Writing")

Surprisingly, most philosophers who have extensively addressed the topic have attempted to defend color realism against the empirical psychologists who universally defend color antirealism (aka irrealism).

From 1970 - 75, Pusey studied at Saint Martins School of Art in London where his painting evolved through Irrealism to a political and metaphorical Realism.

Together with the Estonian poet, writer and art critic Ilmar Laaban, they developed their concept of Irrealism through several essays, exhibitions, projects, manifest and a book, "Irréalisation".