However, the requirements of high-fidelity reproduction place more demands upon the arm design.

Cinema sound systems became capable of high-fidelity reproduction, particularly after the adoption of Dolby Stereo.

A microphone preamplifier is colloquially called a microphone preamp, mic preamp, preamp (not to be confused with a control amplifier in high-fidelity reproduction equipment), mic pre and pre.

The guest speaker at the first meeting was Harry F. Olson, a prominent engineer and scientist at RCA and author of Acoustical Engineering, who spoke on Problems of High-Fidelity Reproduction.

A high-fidelity reproduction of the Hyper Pak intake manifold was created by noted Slant-6 builder Doug Dutra in the late 1990s; subsequently the tooling was sold to a marketer of performance equipment for inline six-cylinder engines.