Dodatkowe przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.
"Students today no longer think textually; they think filmically," he said.
Director Val Guest defended this change believing it was "filmically a better end to the story".
The Magic Portal was my first big attempt to have a crack at expressing myself filmically.
"Tom was unquestionably writing filmically," Sir Trevor said.
They're treated filmically - we jump from time to time, from new situation to new situation."
Zischler describes movies Kafka never saw and forces analogies to imply, baselessly, that Kafka was thinking filmically.
Here, Damian Cruden's coolly stylish production (pale wooden structures, simultaneous back projections and filmically atmospheric music) condenses into terse, taut brilliance.
In Italy, another country somewhat isolated filmically by the war, the same kind of realization of the fin-de-siecle decadent symbolist aesthetic can be found, mostly in films associated with the "diva" phenomenon.
Only French critics (as reported by Donald Richie, the film scholar) would dare to find Ozu's early films, including "The Only Son," "more imaginative filmically" than those he made toward the end of his life.
Co-screenwriter Philippa Boyens and actor David Wenham defended the changes to Faramir's character in order to increase dramatic tension: Faramir's "sea-green incorruptible" nature in the book would not have "[translated] well filmically".
Such a method for constructing the sound-film will not confine it to a national market, as must happen with the photographing of plays, but will give a greater possibility than ever before for the circulation throughout the world of a filmically expressed idea."
In the end we may ask whether, in a film based on real events, Mr. Polanski was somehow obligated to make the C sharp minor Nocturne work in its historical niche, whether or not it was as effective filmically as the ballade.
An abstract for an academic paper on the ritual branding of Andean cattle in Peru refers to the paper as an "ethnocinematographical study in which we reinterpret, with and in the film" the acts which they have recorded filmically, using the video cameras as "observation instruments", none of which characterizes contemporary ethnocinematic work.