Each channel shall include tamper resistant treble and bass controls.

This model had an orange/neon face plate with volume, treble, presence and bass controls.

Each channel includes front panel, screwdriver adjustable treble and bass controls.

Sound: There was a discernable hiss in the soundtrack which the treble & bass controls suppressed.

Its tone controls are exceptionally flexible, with both the treble and bass controls operating in three selectable ranges.

There are separate treble and bass controls for the stereo sound as well as connectors for external speakers.

The system's front panel is touch-sensitive, with buttons for play, fast forward and rewind along with treble and bass controls.

Separate treble and bass controls are provided, along with provisions for hooking up a CD player or a tape cassette player.

The right satellite has built-in volume controls and an AUX-in port; the bass controls are on the back of the subwoofer.

By altering the treble or bass controls, by diminishing or bringing up background instruments, the visitors created their own renditions of "The Power of Love."

Functionality includes treble and bass controls, two independent volume controls, S/PDIF digital input, and a headphone out.

Thanks to its larger size, this set achieves a sound quality that - while far from high fidelity - is good enough to warrant the inclusion of separate treble and bass controls.

Two J-types are used, made by SGC themselves, and these work in conjunction with the 305's passive EQ, offering treble and bass controls, plus centre-notched pan and volume pots.

Sorry to keep bringing Gibson into the story, but their layout which sites the treble controls towards the guitar's rim and the bass controls nearer the pickups, with volumes forwards and tones rearwards, makes the most sense.

Both channels had VOLUME, TREBLE and BASS controls; the single-control REVERB affected only the BRIGHT channel.

We'd have liked to try the LSE with Lowden's new preamp system complete with volume and treble/bass controls on the upper bout, but none were available at the time and we've had to make do with the non-controlled version.

Next in line are the treble, middle and bass controls for channel two; this time they double as a bright control, another notch filter, a contour control - to add warmth at low volume levels - and Rivera's own trademarked Ninja Boost circuit.

Another neat feature is that if you insert and Audio CD then Media Player can go onto the web and get the names of the songs and artists, which is handy and there is also a great Graphic Equalizer and Bass controls.

Like the Normal channel, the Drive side also features treble and bass controls (the treble comes 'post' distortion and so can be used to tailor the lead sound's smoothness or harshness), but instead of a mid control this channel uses what Fender term 'Contour'.