Since the 1760s, archaeological research also began to focus on vase paintings.

Vase paintings even had an influence on the development of modern painting.

Some of the illustrations here are taken from Greek vase paintings.

Evidence of these activities can be seen on red-figure vase paintings.

What starts as a simple Greek vase painting suddenly comes to animated life.

Such zones were to become typical of Laconian vase painting.

The subject is popular in ancient Greek vase painting.

Among his academic specialties was the art of ancient Greek vase painting.

He is best known for his work on architectural terracottas and Ancient vase painting.

Especially in Ionian vase painting, regional styles now began to develop.

Another subject that is unknown from Attic vase painting are the theatre scenes.

It forms a close stylistic community with Apulian vase painting.

The implied presence of a body which is not actually represented was a remarkable novelty in vase painting.

He is believed to be the inventor of the red figure style of vase painting.

The sculpture and vase paintings provide the clearest evidence of this costume.

Most of his vase paintings make copious use of added colour.

A Greek vase painting from this date shows a boy playing yo-yo(see right).

The dance we can speculate about on the basis, for example, of what you see on vase paintings.

I am working piecemeal on the complementary project of the related but very different response in vase painting to tragedy.

The first major style was so-called Pontic vase painting.

In this regard they differ from all other styles of black-figure vase painting.

There was also a tradition of Etruscan vase painting.

There is evidence from vase paintings for cradles of wickerwork or wood.

The influence of Apulian vase painting becomes tangible roughly at the same time.