Dodatkowe przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.
The Sama-Bajau have also been the subject of several films.
They are one of the ethnic groups usually collectively known as the Sama-Bajau peoples.
These are the Sama-Bajau which traditionally lived in island interiors.
The number of modern Sama-Bajau who are born and live primarily at sea is diminishing.
This is particularly serious for the Sama-Bajau, whose boats are also oftentimes their homes.
Most subgroups of Sama-Bajau name themselves after the place they originated from (usually an island).
They are the largest single group of Sama-Bajau.
They are sometimes considered distinct from other Sama-Bajau.
Many older Sama-Bajau are therefore hard of hearing.
Though whether the Sama-Bajau are indigenous to their current territories or settled from elsewhere is still contentious.
Some Sama-Bajau groups native to Sabah are also known for their traditional horse culture.
Especially since it is used most commonly to refer to poverty-stricken Sama-Bajau who make a living through begging.
Their offspring then allegedly became the ancestors of the Indonesian Sama-Bajau.
Medical health centres (puskesmas) and schools have also been built even for stilt-house Sama-Bajau communities.
Unlike most neighbouring peoples, Sama-Bajau society is also more or less egalitarian, and they did not practice a caste system.
This would also explain why even boat-dwelling Sama-Bajau still practice agricultural rituals, despite being exclusively fishermen.
A few Sama-Bajau still live traditionally.
Modern Sama-Bajau are generally regarded as peaceful, hospitable, and cheerful people, despite their humble circumstances.
They periodically trade goods with the land-based communities of other Sama-Bajau and other ethnic groups.
The boat-dwelling Sama-Bajau see themselves as non-aggressive people.
The Sama-Bajau are fragmented into highly diverse subgroups.
Traditional Sama-Bajau communities may have shamans (dukun) traditionally known as the kalamat.
In the Philippines, the Sama-Bajau can be divided into three general groups based on where they settle:
Most Sama-Bajau can speak multiple languages.
Most Sama-Bajau folk songs are becoming extinct, largely due to the waning interest of the younger generations.