Parallax mapping described by Kaneko is a single step process that does not account for occlusion.

Parallax mapping was introduced by Tomomichi Kaneko et al., in 2001.

Steep parallax mapping is one name for the class of algorithms that trace rays against heightfields.

Parallax mapping is one such extension.

Normal and parallax mapping were replacing sheer geometric complexity for model detail, so undoubtedly that was part of the reasoning.

Material attributes can be used to produce effects such as normal mapping, parallax mapping, horizon mapping, and bumpy reflections or refractions.

Though the game engine remained unchanged, graphical enhancements such as fullscreen shader system and parallax mapping added greater detail and realism.

An example is D3DXComputeTangentFrame for creating a tangent-space frame for effects like normal and parallax mapping.

Computes the tangent-space frame of a mesh that is used for effects like normal/bump mapping, parallax mapping and anisotropic lighting models.

Games for the Xbox 360 and the PlayStation 3 rely heavily on normal mapping and are beginning to implement parallax mapping.

Parallax occlusion mapping (POM) is an enhancement of the parallax mapping technique.

The graphics in Chaos Theory feature a number of improvements, including the addition of normal mapping, HDR lighting, and parallax mapping.

The lighting works, the DX9 parallax mapping and occlusion works, and I'm getting a usable set of textures to put into Maya on the Mac side.

It supports for many features of modern GPUs such as pixel and vertex shaders, HDR, bloom and parallax mapping.

Additionally, the game's renderer engine employs more advanced graphic technologies than was possible in the previous generation, including parallax mapping, ambient occlusion, subsurface scattering, and high dynamic range.

There is support for bump mapping, reflection mapping, parallax mapping, screen space ambient occlusion (SSAO), dynamic shadows using shadow maps, render-to-texture and full-screen post-processing effects.

Unlike bump, normal and parallax mapping, all of which can be said to "fake" the behavior of displacement mapping, in this way a genuinely rough surface can be produced from a texture.

CRX makes use of GLSL for per-pixel lighting, parallax mapping, normal mapping, and specular highlights for the majority of its rendered surfaces as well as post processing effects.

Particle and fire effects help give the illusion of volume along with motion blur and real time depth fields, the engine supports color Specular maps, Normal Mapping, and Parallax Mapping technologies.

Parallax mapping (also called offset mapping or virtual displacement mapping) is an enhancement of the bump mapping or normal mapping techniques applied to textures in 3D rendering applications such as video games.

In addition, 3D graphical techniques such as bump mapping and parallax mapping are often used to extend the illusion of three-dimensionality without substantially increasing the resulting computational overhead introduced by increasing the polygon count.

Bump mapping, normal mapping and parallax mapping are techniques applied to textures in 3D rendering applications such as video games to simulate bumps and wrinkles on the surface of an object without using more polygons.

Parallax mapping is implemented by displacing the texture coordinates at a point on the rendered polygon by a function of the view angle in tangent space (the angle relative to the surface normal) and the value of the height map at that point.

The engine is not based on any previous id Tech engines, however it reuses much of the technology from the most updated id Tech 4 engine, including MegaTexture technology, parallax mapping, bloom, motion blur, soft particles, soft shadows and pixel shader effects.

This engine supports a number of graphical capabilities and techniques, including dynamic colored lighting, realistic dynamic shadows, skeletal animation, detailed models and textures, pixel shaders 2.0 & 3.0 (with a great number of corresponding effects), normal and parallax mapping, shader materials, bloom, blur and particle effects.