Shoeshine is among the first of the Italian neorealist films.

Stephen Krasner is what political scientists define as a neorealist.

It is a synthesis of the neorealist and the classical realist approaches.

These films were neorealist in style, being semi-documentary studies of the lives of ordinary people.

An international relations theorist, he is a noted neorealist and critic of liberal internationalism.

As such, a great deal of constructivism's initial theoretical work is focused on challenging certain basic neorealist assumptions.

Others consider it first and foremost an Italian neorealist film, only indirectly nationalistic through its use of patriotic themes.

But the neorealist impulse, while it is perpetually renewable, is also perishable.

The movie was filmed in a documentary-like, "neorealist" style involving hidden cameras and natural lighting.

It is inspired by neorealist works.

If you mean it's something like a French film with an Italian neorealist twist, I think I'll pass.

Within international relations theory he is a neorealist and is a key figure in the debate between neorealists and neoliberals.

Masala considers himself a neorealist.

The film was directed by Italian neorealist Roberto Rossellini.

Casademont describes the group's work neorealist:

The first neorealist film is generally thought to be Ossessione by Luchino Visconti (1943).

To look at the credits of many of the classic Italian "neorealist" movies is to note the large number of screenwriters they employed.

Interview with neorealist Robert Jervis by Theory Talks (July 2008)

"To the neorealist," Haass tells me, "what matters most about foreign policy is behavior more than nature - what nations do rather than what they are."

The magazine followed the steps of the Portuguese neorealist writers, and contributed to the building of "Cape Verdeanity", an autonomous cultural identity for the archipelago.

In 1951, Italian neorealist Roberto Rossellini's 40-minute film, titled The Miracle, sparked widespread moral outrage.

A film tribute to Roberto Rossellini, the Italian neorealist director, has divided his twin daughters, Isabella and Ingrid.

Parallel to the Iranian New Wave, with its neorealist and minimalist art cinema, there exists a so-called "popular art cinema" in Iran.

The Neo-Neo Synthesis is a phrased used in international relations to refer to the converge of the neorealist and the neoliberal schools of thought since the 1970s.

The first recipient was the Italian neorealist drama La Strada, which helped establish Federico Fellini as one of the most important European directors.