Only the funeral scene shows red film tinting.

He gained a transfer to the studio laboratory, working with dyes for film tinting.

The British Film Institute partially restored the movie and its original film tinting and released it in 2010.

Film tinting is the process of adding color to black-and-white film, usually by means of soaking the film in dye and staining the film emulsion.

In creating a filming style, director Oldrich Lipský was inspired by silent comedy films, from which he borrowed numerous effects, including film tinting, slow motion, and fast motion.

A more common technique emerged in the early 1910s known as film tinting, a process in which either the emulsion or the film base is dyed, giving the image a uniform monochromatic color.

By the early 1920s 80% of movies could be seen in color, usually in the form of film tinting or toning (ie colorization) but also with real color processes such as Kinemacolor and Technicolor.

A variation of film tinting is hand coloring, in which only parts of the image are colored by hand with dyes, sometimes using a stencil cut from a second print of the film to save keep colouring the same piece on different frames.

Many innovative techniques were used to make the film, including fast cutting, extensive close-ups, a wide variety of hand-held camera shots, location shooting, point of view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscopic images, film tinting, split screen and mosaic shots, multi-screen projection, and other visual effects.